an article
by Phyllis Chinn on canons and mensuration canons, with some
material about the four
voice canons
an interesting presentation
by Franck Jedrzejewski at IRCAM about canons in general, with
some nice discussion about the four voice canons (download his
pdf files). my favorite part, though i have no idea what it
means, is the poem he includes as an example of "compression
temporelle des voix" (if anybody can figure this out, let me
know...)
sung
Helen Rommelaar, Curation Officer, Cryptogams, National
Herbarium of Victoria, Melbourne, Australia.
Ms. Rommelaar directed the premiere of the work at the 2007
Fungimap Conference in south-east Queensland, Australia.
She recorded all the parts (beautifully) of all the rounds in
many combinations.
Recorded by Paul George, Secretary of Fungimap.
The text is taken from the Fungimap pamphlet written by Sarah
Lloyd.
pitch
recordings (all pitches used in the three pieces as 5
second tones)
mistake in score: in Doggerel,
A naturals in alto should be A# (or Bb), 11th harmonic.
freeHorn materials,
for a version used in two performances in 2011 (RPI, March;
Stone, June). This is an example of how the piece (just one way)
the piece could be performed
Includes:
"scores" (two versions, simple and complex)
properties files for three "runs" of freeHorn (this was a
canonic version, but the first two versions start
together)
notes on the canon, and on the performance version
from Toon: "Note that each time you open this patch you
should put the tempo bar to the left (even if he's already
there), then it is ok for a 10 minute performanc. You can
press start/stop with the space bar." This PD-Patch is for a
10 minute version of the piece, which can be of any
duration.
51 melodies
practice
tape, (midi) made 6/29/93, each guitar in different
channel
two children's songs
practice tape, midi, 6/30/93, each clarinet in different channel,
(this is transposed up two octaves from the score)
