List of works and approximate timings. With the exception of items 9 and 88 which are for tape, almost all other items are available from
C.F. Peters (ATTN: Gene Caprioglio)
70-30 80th St.
Glendale, NY 11385
or e-mail gene@cfpeters-ny.com. Some items are still in
preparation.
- 178. Duo 9, vl, vc (2008), 7'
- 177. Duo 8, vl, vc (2008), 8'
- 176. For 2 violinists, violist and cellist (2008), ca. 23'
- 175. Short Piece, melodica (f - e''') solo (2008), 3 1/2'
- 174. Basel, alto sax/cl. tbn, 2 el gt, pno, vc, and any additional players, free instrumentation (2008), ca. 25'
- 173. Duo 7, per, melodica (2007), 4'
- 172. Nocturnes 1-6 (contribution to collaborative composition For John, with David Behrman, John King and Takehisa Kosugi), pno solo, with (optional) Material for up to 4 more players, free instrumentation (2007), ca. 7' – 14'
- 171. Grete (microexercises 23-36), two or more players, free instrumentation (material also for fl/picc, ob, cl/sax, bsn/c bsn, per, pno, vla, cb) (2007), 15'
- 170. Quodlibet, fl (picc), ob, cl, b cl, bsn, hn, tpt, tbn, tba, 2 per, 2 vl, vla, vcl, cb (2007), 18'
- 169. Metal & Breath, 2 or (possibly many) more players using primarily metal (percussion) and sound made with breath (2007), ca. 2'-15'
- 168. Quartet for Frederic, Larry, Michael, Robyn, b cl, e-gtr, pno, per (1) (other instrumental arrangements possible) (2005-2007), ca. 19'
- 167. A Piano Piece, pno solo (2006), 4'
- 166. Trio V for James Tenney, pno 4 hands, per (2006), 6'
- 165. Microexercises (1-8, 9-22), one or more players, free instrumentation (2006), ca. 12'
- 164. Violin Quartet, 4 vl (2006), 10'
- 163. For Bob (with Takehisa Kosugi, in honor of Robert Rauschenberg), duo for electric violin, 4 radios, piano, analog electronics and various sound producing objects (2006), 16'
- 162. Woodsound & Other, solo per (mallet - xylophone, etc. ad lib, a few additional non-pitched items) (2005), ca. 5'
- 161. Duo 6, tpt, vln (2005), ca. 10-12'
- 160. Out-take, 1 or 2 tba and optional (any, playing at least an octave higher) additional instruments (2005), ca. 8'
- 159. Orchestra : Pieces, 4.4.4.4.,4.4.3.tba, 4 per., 12.10.8.8.6 (2005), 18'
- 158. 37 Haiku, baritone, ob, hn, vla, vcl, text by John Ashbery (2005), 14'
- 157. Long Piano (Peace March 11), pno solo (2004-5), 60'
- 156. Evening Shade, Wake Up, small chorus (SATB) (2004), 5'
- 155. One Coat of Paint, 1 per, vc (2004), 14'
- 154. Another Possibility, e-gtr solo (2004), 9'
- 153. For John Ashbery's Hoelderlin Marginalia, 2 pno, vn (2004), 9'
- 152. Incidental Music, pno solo (2003-4), 50'
- 151. Flutist (with Percussionists), fl, 2 (or 1) per (2003), 9'
- 150. Wesleyan Organ Song, organ solo (2003), 25'
- 149. For E.C., st qt (2003), 5'
- 148. John Heartfield (Peace March 10), 4 or more players, free inst, 1 or more voices (2003), 30'
- 147. Peace March 9, 4 hn, 6 tpt, 4 tbn, euph, tba, 4-6 per (2003), 25'
- 146. Peace March 8, orch (2.2.2.2., 2.2.2. tb, 3 per, 4.4.3.3.2) (2002), 37'
- 145. Apartment House Exercise, 4 or more players, free inst (2002), ca. 15'
- 144. Touch, pno solo (2002), 20'
- 143. Balancing, accordion solo (2002), 8'
- 142. Moving Spaces, 2, 3 or 4 players, free inst, 8 channel sound system with assistant and tape recorded during performance (for Merce Cunnigham dance, Loose Time) (2002), 30'
- 141. Variation, tpt, per, cb, 8 channel sound system with assistant (2001), 13'
- 140. Fragment, 2 pno (2001), 10'
- 139. Ordinary Matter, 3 orch (total 5.3.2 Eng h, 3.l b cl, 3. l a sax/cl in A, bar sax/b cl, 8.6.5 b tbn or tba, tba, 6 per, 2hp, 8.8.10.(no vc), 6 cb., versions for any reduced instrumentation possible), 1-3 conductors (2001), 24'
- 138. She Had Some Horses, zither, va (2001), 18'
- 137. Pianist -- Pieces, pno solo (2001), 12'
- 136. Boras Song, hn, tpt, vl, pno (2000), 5'
- 135. Mosaic Trio, tpt, vl, pno (2000), 5'
- 134. Zither Spieler, zither solo (2000-), 14'
- 133. Percussionist, per solo (some possible duet) (in progress) (2000-), 15'
- 132. Fall III, per (12 or 6 plus tape) (2000), 7'
- 131. Berlin Exercises (with song “Vergnuegungen”), 4 or more players, free inst (one Exercise has parts for voice, fl, t sax, b recorder, tba, per, vib, pno) (2000), 14'
- 130. Exercise 28, theremin, hn, vl, cb (2000), 7'
- 129. Fall I & II, per (3 in I, 6 in II) (2000), 15'
- 128. Cello Suite Variation, vc solo (2000), 14'
- 127. Ghent Song, recorders, 4 players, 1 per (1999), 15'
- 126. Pebbles, pno, vl (1999), 35'
- 125. Schoene met Vetters, fl/b fl, cl/b cl, tbn, vl, va, vc, cb (1998-9), 17'
- 124. Keyboard Miscellany, pno solo, melodica (1998-), 18'
- 123. Pulse, tpt, 1 per (1998), 12'
- 122. John, David, per solo, orch (2 (+picc). 2.2 (+b cl). 2., 2.2.2.tb, 1 per, pno, hp, 6.6.5.5.4) (1993, 1997-8), 23'
- 121. Violist Pieces, va solo (1997), 14'
- 120. Percussionist Dances, per solo (1997), 23'
- 119. Violist and Percussionist, per, va (1996), 8'
- 118. Two Players, hn, vc (1996), 7'
- 117. Untitled, e-bass gtr solo (1996), 8'
- 116. Trio III, vn, per, pno (1996), 20'
- 115. Tilbury 5, tbn, pno, vn/va (1996), 13'
- 114. Pieces for Julius, fl, hn, va, vc (1995), 9'
- 113. Bratislava, fl, ob, cl, b cl, accord, pno, vn, vc (1995), 15'
- 112. Spring, chamber orch (2.2.2.2., 2.2.2.tb, 3 per, 6.6.4.4.2) (1995), 14'
- 111. Percussionist Songs, solo per (some possible duet) (1994-5), 20'
- 110. Aarau Songs, cl, st qt (1994), 17'
- 109. Memory, fl/picc, cl/b cl, bsn, hn, hp, vn, va, vc (1994), 14'
- 108. Or 4 People, 1-4 players, free inst (1994), ca. 8' - 35'
- 107. Two Pianists, 2 pno (1993-4), 21'
- 106. Flutist and Guitarist, fl, gtr (1993), 12'
- 105. Exercise X, 7 or more players, free inst (1993), ca. 4' - 12'
- 104. Peggy, tbn solo (possibly as duet) (1993), 11'
- 103. Six Melodies Variation, solo vn (1993), 3'
- 102. Merce, 1-9 per (2 solos, 2 duos, 1 qt, 1 nonet, also material for variable nos. of players) (1993), ca. 3' - 25'
- 101. Aina gonna study war no more, 2 per (timp, mar) (1993), 4'
- 100. Malvina (version of Malvina for koto), 2 va (1992), 14'
- 99. Tuba Song, BBb tba solo (possibly as duet) (1992), 12'
- 98. Kegama, cl/b cl, per, pno, vl, vc (1991), 4'
- 97. Ruth, tbn, pno (1991), 24'
- 96. Jasper, vl, cb (1991), 17'
- 95. Look She Said, solo cb (1991), 14'
- 94. Brich den Hungrigen dein Brot, fl, pno (1991), 4'
- 93. For Si, cl/b cl, per, pno, vl, vc (1992), 10'
- 92. Rukus, bar/ten sax, e-gtr, cb (1990-91), 14'
- 91. Eight Days a Week Variation, pno (1990), 4'
- 90. Rosas, per, pno (1989-90), 10'
- 89. Malvina, solo koto (13 string) (1989), 14'
- 88. Mayday (Mayday Materials), synclavier-synthesizer generated tape (for Lucinda Childs' dance) (1989), 32'
- 87. Emma, va, vc, pno (1988-9), 17'
- 86. Exercise 27 (Snare Drum Peace March), solo snare drum (1988), ca. 5'
- 85. Exercise 26 (Snare Drum Peace March), solo snare drum (1988), ca. 4'
- 84. Digger Song, vl, va, vc, per (1988), ca. 6' - 10'
- 83. From Leaning Forward (Grace Paley poems), sopr, bar, cl/b cl, vc (1988), 15'
- 82. For Morty, glsp, vibr, pf (2 or 3 players) (1987), 5'
- 81. Long Peace March, fl/picc, ob, cl/b cl, bsn/c bsn, a sax, hn, tbn, per, va, vc, cb (1986-7), 24'
- 80. Black Song Organ Preludes (1986), 12'
- 79. Exercise 25 (“Liyashiswa”), orch (2.2.2.2., 2.2.2.tb, 1 per, 8.8.4.4.3) (1986), 5'
- 78. Bowery Preludes, fl/picc/a fl, tbn, per, pno (1985-6), 18'
- 77. Instrumental Exercises with Peace March 4, 2 cl/b cl, 2 keyboards, vn , per, vc, e-bass (other arrangements possible) (1985), 25'
- 76. Piano Trio (“Greenham-Seneca-Camiso”), vn, vc, pno (1985), 10'
- 75. “I Like to Think of Harriet Tubman”, female voice, one each of treble, alto and bass inst (ad lib) (1985), 6'
- 74. Peace March 3 (“The Sun is Burning”), fl, vc, per (1984), 6'
- 73. Peace March 2, fl, cl, vc, per, pno (1984), 8'
- 72. Peace March 1, fl (1983-4), 5'
- 71. Eisler Ensemble Pieces 1 & 2, cl/b cl, vn, vc, pno (1983), 12'
- 70. Piano Song (“I am a dangerous woman”), pno (1983), 11'
- 69. Exercise 24 (“J.C.'s Bread & Roses”, orchestration of Exercise 22), chamber orch. (1983), 6'
- 68. Exercise 23 (“Bread and Roses”), chamber orch (2.2.2.2., 2.2.2., 2 per, 6.6.4.4.2) (1983), 6'
- 67. Exercise 22 (“Bread and Roses for John”), pno 4 hands (1982), 4'
- 66. Isn't This a Time, (any) sax or possibly other reed, solo or multiple (1982), 4'
- 65. Preludes 1-11, pno (1980-1), 30'
- 64. Exercise 21, “O Freedom”), pno 4 hands (1981), 6'
- 63. Exercises 19 & 20 (“Harmonic Tremors,” “Acres of Clams”) (), 12'
- 62. Stardust Pieces, vc, pno (1979), 15'
- 61. Three Pieces (Rock About, Instrumental, Starving to Death on a Government Claim), vn, va (1979-1980), 11'
- 60. Hay Una Mujer Desaparecida, pno (1979), 12'
- 59. Braverman Music, 4 or more players, free inst, or 1 or 2 pno (1978), 26'
- 58. Cello Song Variations (“Hallelujah, I'm a Bum”), solo vc (1978), 12'
- 57. The Death of Mother Jones, solo vn (1977), 15'
- 56. Dark as a Dungeon, tbn, cb (1977), 7'
- 55. Dark as a Dungeon, cl (1977), 7'
- 54. Studies, pno or other instrumentation ad lib. (1974-6), 8'
- 53. Bread and Roses, pno (1976), 8'
- 52. Bread and Roses, solo vn (1976), 11'
- 51. Wobbly Music, mixed chorus, keyboard, gtr(s), 2 or more melody inst (1975-6), 32'
- 50. Exercises 15-18, free inst, various numbers of players, including qt, also possible pno, tbn solos (1975), ca. (total) 26'
- 49. String Bass Exercise out of “Bandiera Rossa”, cb (1975), 20'
- 48. String Quartet Exercises out of Songs, str qt (1974-6), 32'
- 47. Songs (“Wake up”, “It is said”, “After a few years”, “Teacher, Teacher”, “Of all things”, “Freedom”), solo or group unison singing (1973-5), 9'
- 46. Exercises 1-14, 2 or more players, free inst (1973-4), ca. (total) 90'
- 45. Changing the System, 8 or more players, free inst + voices, per (1973-4), ca. 15' - 50'
- 44. Variations (Extracts) on the Carmans Whistle Variations of Byrd, keyboard(s) (1972), ca. 6'
- 43. Accompaniments, pno (pianist also uses voice and per) (1972), 18'
- 42. Lines, str qt or other str ensemble (1972), ca. 15' - 20'
- 41. Burdocks, 1 or more groups of 5 or more players, free inst (1970-71), ca. 10' - 55'
- 40. Snowdrop, harpsichord and (or) other inst, any number (1970), ca. 15' - 19'
- 39. Tilbury 4, any number, free inst (1970), ca. 5' - 10'
- 38. Tilbury 3, any number, free inst (1969), 5'
- 37. Tilbury 2, any number, free inst (1969), 4'
- 36. Tilbury 1, keyboard(s) and (or) free inst, any number (1969), 10'
- 35. Prose Collection (includes Stones, Play, Song, For Jill, Sticks, Groundspace, Fits & Starts, You blew it, Crazy Mad Love, Looking North, Double Song, Pit Music; X for Peace Matches added ca. 1986, Instrumentalist(s) - Singer(s) added 1997), any number of players, free inst (1968-1971), ca. (total) 65' - 120'
- 34. Toss, 8 or more players, free inst (1968), ca. 4'
- 33. Edges, any number of players, free inst (1968), ca. 6' - 15+'
- 32. Pairs, 2, 4, 6 or 8 players, free inst (1968), ca. 4' - 8'
- 31. Electric Spring 3, vl, hn, e-gtr, e-bass gtr (1967), ca. 4'
- 30. Electric Spring 2, t recorder, tbn, e-gtr, e-bass gtr (1966, rev 1970), ca. 6'
- 29. Electric Spring 1, hn, e-gtr, e-bass gtr, cb (1966), ca. 4'
- 28. Quartet, 4 hn (1965), ca. 5'
- 27. Septet, 7 players and conductor, free inst (1964), ca. 8' - 10'
- 26. For 1, 2 or 3 people, free inst (1964), ca. 10' - 40'
- 25. In between pieces, 3 players, free inst (1963), ca. 5' - 9'
- 24. For 5 or 10 players, free instrumentation (1962), ca. 5' - 10'
- 23. Summer, str qt (1961), ca. 5' - 17'
- 22. Duo for violinist and pianist (1961), ca. 5' - 17'
- 21. Trio II, pno 4 hands, per (1961), ca. 15'
- 20. Duet II, hn, pno (1961), ca. 5' - 9'
- 19. Suite II, hn, pno (1960), ca. 9' - 14'
- 18. Duet I, pno 4 hands (1960), ca. 5' - 12'
- 17. For six or seven players (= Music for Merce Cunningham), vn, va, tpt, tbn, pno, cb (1959), 23'
- 16. For pianist (1959), ca. 10' - 15'
- 15. Duo for pianists II, 2 pno (1958), ca. 4' - 15'
- 14. Sonata, 3 pno (1957), 4'
- 13. Duo for pianists I, 2 pno (1957), 4'
- 12. For piano with preparations (1957), 9'
- 11. Suite (I), prepared pno (1954), 8'
- 10. For Piano II (1953), 10'
- 9. For Magnetic Tape (1952), 22'
- 8. For Piano (I) (1952), 7'
- 7. Nine, fl, cl, hn, tpt, tbn, cel, pno. 2 vc (1951), 5'
- 6. Trio, fl, tpt, vc (1951), 6'
- 5. For prepared piano (1951), 7'
- 4. String Trio, vn, va, vc (1950), 3'
- 3. Madrigals, 3 voices or instruments or combination (1950), 7'
- 3. Serenade, fl, cl, vn (1950), 6'
- 2. Duo for 2 Flutes (1950), 2'
- 1. Duo for violins (1950), 5'